Student Writing Center

When it comes to difficult file formats, one of the more difficult groups of formats are word processing text files. Difficult for many reasons, one being the shear number of them, the other is their lack of identifiable headers. Just when you think you have seen them all another pops up to add to the mix.

In a batch of other known word processing formats I came across a few files with no extension and with the following header:

The rest of the file was binary so the only thing I had to go one was the string “TLC” and “FF”. A few searches across the interwebs didn’t reveal much, seems it wasn’t a well documented format. From the names of the files and the fact they were with other word processing formats led me to assume they were also some sort of document format. The date stamps were still intact and I could see they were from the mid 1990’s. It took a few creative searches before I wondered if the “TLC” might have something to do with “The Learning Company“. If it was, I still had quite a bit of work ahead as the software developer had produced quite a few titles over the years. You probably remember the “Reader Rabbit” series of educational games.

After a bit of time I narrowed it down to a few titles and started looking for samples of each. Software was hard to find as well. I tried opening the file in a few different software until I finally came to one called “Student Writing Center”. Which may sound familiar to some of you, but there was some variations on this name out there. Some of which are:

  • Student Writing Center
  • Student Writing & Publishing Center 
  • The Children’s Writing & Publishing Center
  • The Writing Center
  • Ultimate Writing & Creativity Center

There were probably others, considering the budget software company started in 1980 and made titles for a few computer platforms starting with the Apple II. The story behind the company is a fun read.

The Student Writing Center was a simple word processor aimed at students 10 years old and older. It was found in many schools right along side Kid Pix, another very popular graphic program for kids. The software had a few different document types to help students get started writing their book reports or journal entries.

The Student Writing Center ran on both Macintosh and Windows allowing it to be one of the more popular writing tools for the younger crowd.

Each document type had a unique interface and save menu, which on Windows would save with the extensions, .RP, .NL, .JN, .LT, and .SG. They also had a slightly different header.

Reports:        1A544C43 01464600 0000
Newsletters:    1A544C43 00464600 0300
Journals:       1A544C43 00464600 0100
Letters:        1A544C43 00464600 0400
Signs:          1A544C43 00464600 0200

The signatures submitted to PRONOM take into account endianness for Windows and Macintosh with the last two byte locations being swapped. Also every document had the values “46461A” “FF” at the end of the file.

But wait! Just when you think you had it figured out…….

This file may look similar, but they are two different formats and are not compatible with each other. The little brother to the Student Writing Center was called “Ultimate Writing & Creativity Center” and was made for younger kids, ages 6-10. It had more of a cartoon interface and a cute little fountain pen teacher to walk you through the writing process.

When you saved your file in UWCC, you could choose between formats and I guess move your documents up to the more advanced program once you turned 10! If you would like to experience or re-live the opening sequence, enjoy.

I’m not done yet………

To complicate things even more The Learning Company also released another word processor called “The Writing Center“. This gets confused with Student Writing Center frequently.

But unlike the two others, this format is very different.

We’ll have to save this format for another day.

There seems to be a never ending list of word processor formats, with no end in sight. But if you used a school computer back in the early 1990’s and still have your floppy disk from back then, hopefully now you can open that report you wrote on Abraham Lincoln.

DiskDoubler

A few years ago I had someone contact me with a desperate plea. They had a disk which contained years of journal entries and letters to loved ones she could no longer access. She had used a Macintosh in the late 1980’s and early 1990’s to create all these files, but wanted to convert them all to PDF so she could make a book. She said she had tried everything, contacted a lot of people and her son had told her it was a lost cause. In talking with others at my institution, they knew I had a background in older Macintosh formats and so she contacted me. I made no promises, but offered to try.

The files she provided were indeed early Macintosh files. One obvious trait was the lack of an extension. One might think a lack of an extension was poor planning for Apple, but they choose a different method for the operating system to know the relationship between files and applications. They did this through the use of a Type/Creator code. If you were a software developer for the Macintosh you could register a four character “Creator” code, then for all the different files you used with your software you could register a “Type” code. This told the Macintosh operating system exactly which software created the file and the type so it could be opened properly. Unlike today where an extension is defaulted to one application even if it isn’t the software which created the file.

ResEdit view of Hypercard Stack Info

In some ways this was a superior identification method as there was many software titles which could all create the same file format, but this way the correct software would open the file and render it correctly.

Looking at the files provided to me, there was a few which at first seemed like they were damaged somehow, they were extremely small compared to the other files. About half the size. When I opened them in a hex editor this is what I saw.

Usually document formats during this time would keep the text in plain ascii, but these files were different, they had binary data. In the header was the only plain text strings in the file, “WDBNMSWD”. I had seen these codes before, a Microsoft Word Document! But they weren’t….. What are they?

The head of the file has the hex values “ABCD0054”, so I started searching the internet for some help. There were others having the same problem I was having. I finally came across a tool called the “Unarchiver“. Running the command line version of the software “unar”, suddenly I had a file twice the size and could be opened by Microsoft Word!

unar Letter 
Letter: DiskDoubler
"./Letter" already exists.
Successfully extracted to "./Letter-1".

Remember back in the 1990’s when storage was expensive? Instead of dropping another $20 for a 100MB ZIP Disk, you could use Symantec’s DiskDoubler. The software would be installed on your Macintosh and then a window would come up showing you all the files on your drive. With one click you could compress a single file or a directory of files saving you tons of space. When you needed the file, just double click and the software would uncompress on the fly and then open the correct application to edit the file.

With a few clicks I was able to uncompress all the affected files and provide a PDF of all the letters and journals my new friend had tried so desperately for years to open. She was thrilled to say the least.

But why stop there? PRONOM needs to know about this format!

Once I had DiskDoubler installed I could make a few more samples, where is where I found there was a few different compression methods used by the software. They are labeled AD 1 & 2 and DD 1, 2 & 3. Making samples of each of the different types I was able to confirm the first 4 bytes of every file was the hex values “ABCD0054”. I was able to submit the format to PRONOM and it was added and given the PUID fmt/1399.

One of the other features of DiskDoubler was an ability to create a Self Extracting Archive (SEA). An sea file could contain a compressed file but also contained the code to uncompress itself. This was mostly seen with the Stuffit software, but there were many other compression tools which could write to this format. The Stuffit formats have been added to PRONOM which include identification of an SEA created by stuffit, but the SEA created by DiskDoubler is different and needs to be added.

Shockwave Audio

Ok, confession time.

There is only a couple moments in my tech history which had a profound effect on me, enough to sear the memory of the moment into my brain. When I was in college around 1997 I had a decent CD collection and I had learned how to copy those AIFF files off the disc and use them on my trusty PowerCenter Pro. These files were huge, at the time. I knew a regular size song would take up around 50MB on my hard drive. This was a lot of space back in 1997, but I could then mix them with other songs, something I did sometimes for friends I had on the dance team. I didn’t have a CD burner at the time so I would transfer them to cassette tape. I know, but remember this was the 1990’s when everything was changing and expensive.

One night I was exploring the world wide web and I happened across someone sharing a few songs. I assumed they were just clips as they were only 5MB in size, a tenth the size they should be. I downloaded the song, which of course still took a few minutes back in those days. When I played the song, I was dumbfounded, it was the whole song. I was completely confused. How could they take a 4+ minute song and compress it down to under 5MB? This was amazing.

I started grabbing every song I could find. Before long I had quite the collection. And before you judge me for downloading music from the web, this was a couple years before the advertisement we all remember reminding us that we wouldn’t steal a car so why would we steal music.

The files I found on the internet were MP3 files, the same we are familiar with today. Back then creating MP3 files wasn’t easy. MP3 was actually a licensed product so you had to get a little creative in order to make them. On my Macintosh PowerCenter Pro, there were even fewer options. I was already familiar with the sound editing application from Macromedia called SoundEdit 16, it was the tool I used to do all my editing. I found there was a plugin you could add which allowed export to a format called Shockwave Audio. This was meant for use in Macromedia’s Director application to add sound to the growing Flash animation industry. Once I got the plugin and installed I couldn’t stop making files and I made them as fast as I could. For a whole album this could take over an hour on my hardware, but it was worth it. Before long I had a large collection of popular music ready to play at a moments notice. My player of choice was MacAMP, a sibling of the popular WinAMP. I even borrowed some equipment from a friend who DJ’d on the weekends and DJ’d a college dance. I lugged my whole PowerCenter Pro tower and 17in trinitron monitor over to the school. It was so much fun and folks didn’t understand when they asked to see my CD collection.

Enough about transgressions from my youth, lets talk about the Shockwave Audio format.

To create a SWA file you would first need SoundEdit 16 Version 2. Then the plugins to enable export. This would only run on PowerPC computers running Macintosh OS or Classic in Mac OS X. For this post I pulled out my trusty PowerBook G4 Titanium running MacOS 9 and MacOS X 10.2. Installed SoundEdit 16 and the plugins in the Xtras folder and we are good to go.

Before you export you need to set what bitrate you prefer for the final file, giving you the option of 8KBits up to 160KBits per second. The higher the bitrate the longer it took and made larger files.

SoundEdit 16 had a native audio format and also frequently used the SoundDesigner II format to save the uncompressed files. On a Macintosh you had to be careful as these formats did not travel well to other systems on account of the resource forks associated with the data.

Because these SWA files were meant to be used in websites and other non-Mac systems, they did not have a resource fork, but had the Creator/Type codes, SwaT/SHCK. An extension wasn’t necessary for use on your Macintosh, but it was best to use .swa.

Here is what the data looks like for a SWA file.

Even though the SWA format uses MPEG compression, this is not a typical header you might see in a MP3. There was no ID3 tags at the time so not much in terms of metadata.

General
Complete name                            : tone2.swa
Format                                   : MPEG Audio
File size                                : 80.7 KiB
Duration                                 : 5 s 166 ms
Overall bit rate mode                    : Constant
Overall bit rate                         : 128 kb/s
FileExtension_Invalid                    : m1a mpa mpa1 mp1 m2a mpa2 mp2 mp3

Audio
Format                                   : MPEG Audio
Format version                           : Version 1
Format profile                           : Layer 3
Format settings                          : Joint stereo / MS Stereo
Duration                                 : 5 s 172 ms
Bit rate mode                            : Constant
Bit rate                                 : 128 kb/s
Channel(s)                               : 2 channels
Sampling rate                            : 44.1 kHz
Frame rate                               : 38.281 FPS (1152 SPF)
Compression mode                         : Lossy
Stream size                              : 80.7 KiB (100%)
ffprobe -i tone2.swa 
[mp3 @ 0x155704a60] Format mp3 detected only with low score of 25, misdetection possible!
[mp3 @ 0x155704a60] Skipping 324 bytes of junk at 0.
[mp3 @ 0x155704a60] Estimating duration from bitrate, this may be inaccurate
Input #0, mp3, from 'tone2.swa':
Duration: 00:00:05.15, start: 0.000000, bitrate: 128 kb/s
Stream #0:0: Audio: mp3, 44100 Hz, stereo, fltp, 128 kb/s

There are a few consistencies among all my files. They all begin with the hex values “00000140000000030000” for the first 10 bytes and all of them seem to have the string “MACRZ” at offset 36. I haven’t been able to find a open specification for this file format, so we will have to go with what we can find in the samples. According to ffprobe from above, there is 324 bytes of a header before the first MP3 frame starts.

MPEG signatures are difficult, there are no headers, just a sequence of frames. This is why there are often so many identification conflicts with the MP3 format. These SWA files indeed identify as MP3 files, but with a mismatch extension.

filename : 'tone2.swa'
filesize : 82661
modified : 1970-01-01T00:00:00-07:00
errors   : 
matches  :
  - ns      : 'pronom'
    id      : 'fmt/134'
    format  : 'MPEG 1/2 Audio Layer 3'
    version : 
    mime    : 'audio/mpeg'
    class   : 'Audio'
    basis   : 'byte match at 0, 4088 (signature 5/9)'
    warning : 'extension mismatch'

If we wanted to distinguish an SWA from an MP3 we would need to create a new signature and give it priority over the MP3 signature. There is enough of a header this would be possible and easier, but since they are, in reality, just MP3 files does it matter? Trying to play a SWA on a modern computer is only possible if you change the extension to MP3.

If you want to take a look at some samples you can grab a couple I made on my GitHub page or check out some commercially made files for an awesome Star Trek Starship Creator game.

GEDCOM

One of the first PRONOM signatures I submitted was for a format I felt responsible for, considering where I worked. This is the GEDCOM format, which is an acronym for GEnealogical Data COMmunication. At the time I submitted the signature the format hadn’t been updated in years.

Very recently it has seen a renewed interest from those in the Genealogical community. In 2021 the format was renewed with a Version 7 specification with the purpose of simplifying and clarifying the format. In addition a new format was released to handle storing multimedia files in a container called GED-ZIP.

My first attempt at a signature was based on the specification generally, but with the new version released, I thought it might be good to revisit this format and see if we need to make any adjustments. There needs to be a new signature for the GED-ZIP format as well.

The original signature, fmt/851, created for PRONOM is:

302048454144{0-1024}47454443(0D0A|0D|0A)322056455253

It has an offset of 0-3 to account for any Unicode BOM, but starts with “0 HEAD”; this is the required start to a GEDCOM file. The next bits can be a source of the software which created the GEDCOM, using the tag “SOUR” which can also include a version of the software and name and address of the developer. This can take a bit of space so we include 0-1024 bytes for this information. The next tag is the subrecord of HEAD, “GEDC”, then the next subrecord, “VERS”. Most GEDCOM validations will look for HEAD.GEDC.VERS for the version of GEDCOM the file claims to conform with. The hex values, (0D0A|0D|0A), is the hard return accounting for the different systems that could write the GEDCOM.

A minimal GEDCOM version 5.5 would contain the following.

0 HEAD
1 GEDC
2 VERS 5.5
0 TRLR

The end of the file is marked by the tag “TRLR” in reference to a Trailer. I didn’t include this in my initial signature, but probably should have.

GEDCOM files have been around a long time, the first draft was released in 1984, but the GEDCOM structure we see now really didn’t come along until version 3 in 1987, when the format was standardized and made public. The HEAD.GEDC.VERS wasn’t standardized until version 4. You can see the history here.

So moving forward we should probably have a new PUID for Version 3, Version 4, Version 5 and the new Version 7 and leave the existing signature as is.

Version 3 only requires the tags HEAD, SOUR, DEST and the ending TRLR.

BOF 302048454144(0D0A|0D|0A)3120534F5552{0-128}312044455354
EOF 302054524C52

Version 4 requires the HEAD.GEDC.VERS sequence.

BOF 302048454144{0-1024}47454443(0D0A|0D|0A)3220564552532034
EOF 302054524C52

Version 5 is similar.

BOF 302048454144{0-1024}47454443(0D0A|0D|0A)3220564552532035
EOF 302054524C52

Version 7 is also similar.

BOF 302048454144{0-1024}47454443(0D0A|0D|0A)3220564552532037
EOF 302054524C52

For the new GED-ZIP format we need to create a container signature as the format is a ZIP file but with a GEDCOM inside. The GED-ZIP specifications states:

A GEDCOM ZIP file should:
• include exactly one GEDCOM file with the name “gedcom.ged”
• include all the multimedia objects references by that GEDCOM file
• not include unreferenced multimedia objects

Our Container signature would look like this:

<ContainerSignature Id="1000" ContainerType="ZIP">
 <Description>GEDZIP</Description>
  <Files>
   <File>
     <Path>gedcom.ged</Path>
      <BinarySignatures>
       <InternalSignatureCollection>                    
	 <InternalSignature ID="300">
	  <ByteSequence Reference="BOFoffset">
	    <SubSequence Position="1" SubSeqMinOffset="0" SubSeqMaxOffset="3">
	      <Sequence>30 20 48 45 41 44</Sequence>
	    </SubSequence>
	  </ByteSequence>
	</InternalSignature>
      </InternalSignatureCollection>
     </BinarySignatures>
    </File>               
   </Files>
</ContainerSignature>

I recently learned of a variation on the GEDCOM format which can cause a lot of confusion. The software Family Tree Maker could export to the GEDCOM format, but had a checkbox which, unchecked, allowed you to not abbreviate the tags. The tags in the GEDCOM format are expected just the way they are, which makes me wonder why they would do something so confusing. You can read more about this format here.

I was recently made aware a few of these rouge “GEDCOM” files were out there, in the wild, causing confusion during identification. My first thought was to adjust the signature to make it a little more loose to fit these variations, but then discovered they are not GEDCOM files. In fact later versions of FTM forgot they did this and would error when you tried to import them back into the software. I think it would be wise to identify these FTM GEDCOM variants, just so one is aware of the difference and can then decide how to handle them properly.

The format was named “FTW TEXT”, so we can use that to call the new signature. Instead of “0 HEAD”, “0 HEADER” is used, instead of “0 SOUR”, “0 SOURCE” is used, and instead of “0 TRLR” at the end, “0 TRAILER” is used.

BOF 3020484541444552(0D0A|0D|0A)3120534F55524345
EOF 3020545241494C4552

It was fun to look back at this format and try and improve on it a bit. I learned more than I did when I initially wrote the signature and hopefully documented it well enough. The FTM variant was an interesting twist I was not expecting, which I am sure will show up again in the future. Take a look at the signatures and samples I updated and let me know what you think.